The Martin D-45V Acoustic Guitar brings together the best of vintage features and modern guitar technology. Featuring a solid Sitka spruce top, solid East Indian rosewood back and sides, and forward shifted standard X scalloped bracing, the guitar has amazing, balanced tone. A select hardwood modified V shaped neck makes playing a joy, whether you're strumming chords or whipping off a sparkling melody line. A Vintage Belly-Drop In Long Saddle solid black ebony bridge and bone nut assure you'll get the most sustain and response possible from your guitar strings. In addition to the top quality hardwoods, meticulous craftsmanship is evident everywhere: abalone pearl inlays, ivoroid binding, select abalone pearl Style 45 Snoflake fretboard inlays, and a polished gloss with aging toner top finish all combine to create a guitar that bridges past and present with amazing skill.

The David Gilmour Signature Series Stratocaster Guitar from the Fender Custom Shop has an alder body, black or black over three-color sunburst finish, a black pickguard, a one-piece straight-grain maple neck, custom pickups, and Gilmour's now-famous electronics and shortened vintage tremolo arm.A cornerstone of Pink Floyd's incomparably revolutionary sound, Gilmour's Black Strat is featured extensively on The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and his critically acclaimed 2006 solo effort, On An Island. The Fender Custom Shop worked hand-in-hand with Gilmour and his longtime guitar technician, Phil Taylor, to create this signature model instrument, a detailed reproduction of the Black Strat—complete in its unmistakable look, sound, and feel.The David Gilmour Signature Strat comes with a custom Fender guitar case, an Evidence high-end guitar cable, Gilmour's three-disc Live in Gdansk CD/DVD set, and Phil Taylor's 2007 book about the guitar's history, The Black Strat. The first 500 guitars sold in either finish option will include a limited edition, signed copy of The Black Strat book, autographed by Phil Taylor.

The David Gilmour Signature Series Stratocaster Guitar from the Fender Custom Shop has an alder body, black or black over three-color sunburst finish, a black pickguard, a one-piece straight-grain maple neck, custom pickups, and Gilmour's now-famous electronics and shortened vintage tremolo arm.A cornerstone of Pink Floyd's incomparably revolutionary sound, Gilmour's Black Strat is featured extensively on The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and his critically acclaimed 2006 solo effort, On An Island. The Fender Custom Shop worked hand-in-hand with Gilmour and his longtime guitar technician, Phil Taylor, to create this signature model instrument, a detailed reproduction of the Black Strat—complete in its unmistakable look, sound, and feel.The David Gilmour Signature Strat comes with a custom Fender guitar case, an Evidence high-end guitar cable, Gilmour's three-disc Live in Gdansk CD/DVD set, and Phil Taylor's 2007 book about the guitar's history, The Black Strat. The first 500 guitars sold in either finish option will include a limited edition, signed copy of The Black Strat book, autographed by Phil Taylor.

Get more punch and crunch with this Marshall full stack featuring a JVM410H Tube Amp Head with a 1960AV/1960BV Full Stack.JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!1960AV and 1960BV 280W 4x12 Guitar Extension Cabinet The Marshall 1960V Vintage Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. This 280W Marshall cab is loaded with Celestion Vintage 30 speakers.

This Marshall full stack includes one JVM410H Tube Amp Head and a 1960A angled cab with a 1960B straight cab for some serious stage presence. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1960A and 1960B 300W 4x12 Guitar Extension CabinetThe Marshall 1960 Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers. The bottom cabinet is traditionally square-shaped with casters while the top speaker has an angled front.

Solid spruce top Vintage-series dreadnought acoustic guitar with solid East Indian rosewood back and sides, and pre-war appointments. Includes a Martin Deluxe Molded Hardshell Case and a 12 pack of Promo Guitar Strings.

This purebred electric bowed instrument is handcrafted from traditional maple and ebony for powerful tone and articulate response. It features an ergonomically arched fingerboard and bridge; 34" scale; dot markers; the NS Polar pickup system; EMG magnetic pickups; versatile support system; and active balance, volume, bass, and treble controls.When bowed the CR5 is energized with a wonderfully expressive sound, combining a powerful bass resonance with brilliant harmonics. Its bold pizzicato voice ranges from the percussive punch of the acoustic upright to the smooth sustain of the fretless electric bass.Arched fingerboardThe Bass Cello has a highly arched fingerboard and bridge, similar to a cello, to optimize bow articulation. The high arch on the fingerboard fits the human hand, and combines with the round neck profile for a comfortable and natural feel.34" scaleThe 34" scale length of the Bass Cello is the same as the standard bass guitar and can be tuned in fourths as a bass (EADGC), making it immediately familiar to bass guitarists. The Bass Cello can also be tuned in fifths, for fingerings that are natural for the cellist.Dot markersDots for each semi-tone cascade across the fingerboard in a pattern that provides a clear visual fingering reference. The logical dot pattern is of critical value to the novice player, and an invaluable tool for the seasoned pro.Polar pickup systemThe multiple sensor NS Polar bridge pickup system has 2 operation modes: arco and pizzicato to optimize response according to playing style.EMG magnetic pickupsEMG low-impedance magnetic pickups have smooth response with lots of sweet midrange for essential electric bass sounds.Active controls2 balance controls allow unlimited mixing options for the magnetic and the dual mode Polar pickup systems. Onboard preamplification provides master volume, bass, and treble controls.NS Bass Cello stringsBased on traditional cello strings NS Bass Cello strings are light and responsive, with singing highs and a deep low register. In addition these ultra-smooth low-tension strings are effortless to play and minimize finger noise. They have a smooth pizzicato growl that can sound very much like an acoustic, yet deliver plenty of sustain and drive when you need it. Custom made by D'Addario they are also designed for bowing and respond much quicker to the bow than traditional bass strings, so expressive bow technique is easier to develop and maintain. THe CR5 can also accommodate traditional bass guitar strings.Interchangeable support systemsThe Boomerang strap system provides stable support at virtually any angle with full mobility for all bow and pizzicato styles of play. The tripod stand is comfortable for play standing or seated on a stool. The End Pin Stand is adjustable so that the instrument remains balanced without support from the left hand.Handcrafted maple and ebonyEach instrument is hand-made in the Czech Republic with aged maple and ebony to the highest st

The Adam Dutkiewicz Signature Fly opens Parker Guitars to a new genre of music. Adam "D" of Killswitch Engage required an EMG-81 active pickup in the bridge position and an EMG-85 active pickup in the neck position to provide the heavier tones needed for his instrument. Combined with the many innovative features of the Parker Fly and you have an instrument that sets a new standard for electric guitars used by players of heavy rock and metal. The Parker Fly Electric Guitar is light, fast, and amazingly versatile. Parker has spent 25 years correcting all of the things that are inherently flawed about traditionally-made electric guitars. A headstock with all unnecessary material removed has less weight and improved tone resonance. A carbon/glass/epoxy exoskeleton is actually baked into the neck wood for increased strength and stability for an electric guitar that will never loose its perfect intonation. The Fingerboard is made out of Carbon/glass/epoxy and is fitted with Stainless Steel frets that will never need to be replaced. This neck is totally consistent with no "dead spots" and is impervious to the effects of temperature and humidity. The Adam Dutkiewicz guitar's sculpted solid mahogany body is also highly resonant and weighs only 5 Lb. so you can stop going to your chiropractor. The Parker flat-spring vibrato system is also completely consistent and stable and has 3-modes — locked, down only, and floating. Sperzel Trim-Lok Tuners make changing guitar strings a breeze and will give you perfect tuning.

Solid spruce top Vintage-series dreadnought acoustic guitar with solid East Indian rosewood back and sides, and pre-war appointments. Includes a Martin Deluxe Molded Hardshell Case and a 12 pack of Promo Guitar Strings.

In a nutshell, the Marshall all-valve, 4-channel JVM410C 100-Watt, 2x12" combo is the most versatile Marshall amplifier ever made. It also boasts more Gain than any other Marshall to date and that's really saying something!!Each of its 4-channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast three Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410C has built-in, studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls 2 master volumes plus Resonance and Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410C all-valve combo amp will give you whatever tone you need right when you need it.

There's nothing to lose and a lot of gain with this Marshall JVM410H Tube Amp Head and 1936 2 x 12 Half Stack kit, a foot-stomping deal if there ever was one. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshall amps in one!The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1936 2x12 Cabinet The Marshall 1936 2x12 Cabinet has two 12" Celestion G12T75 speakers to handle 150W. Size matches full-size Marshall heads. Offers mono or stereo option (eight ohms mono; sixteen ohms stereo). Marshall constructs the 1936 Speaker Cabinet with locking joints; smooth ABS plastic corners; and heavy-duty, ergonomically recessed grab handles.

Soundboard: All-graphite soundboard crafted using RainSong's Projection Tuned Layering technique. No soundboard braces. Abalone rosette.. Body: All-graphite body. No body braces.. Neck: All-graphite neck and epoxy fingerboard fabricated using RainSong's Performance Shape Casting as a single piece. No truss rod. Custom Mother of. Pearl sharks and RainSong logo inlays.. Accessories: Tusq Nut, saddle. Abalone inlaid Tusq bridgepins.. Case: Customized hardshell case.. Finish: UV protective, high-gloss, clear urethane.. Depth at end-pin: 5 inches. Lower bout: 17 inches. Body Length: 21 inches. Neck width at nut: 1.875 inches. Scale length: 25.4 inches. Tuning machines: Chrome plated Gotohs with 1:14 gear ratio. Electronics: Premium onboard electronics system.